In 1966, Berlin sculptor Bernhard Heiliger created the stage design for the production of Faust II of his friend, the actor and director Ernst Schröder, at Schiller Theater. His concept was that of a sculpture, within which the actors could move. The production was a collaboration also with the painter Alexander Camaro, who created the…
Franziska Stolzenau (*1986 in Weimar), Block, (20204144, 2016 / Performance
Kunsthaus Dahlem is currently presenting a series of contemporary art interventions in collaboration with the Academy of Fine Arts in Dresden. 18 students from the classes of Professor Ralf Kerbach and Professor Christian Sery present their work for two weeks each in the course of six months. Each piece is a response to either the history of the building and its use or to the current permanent exhibition. The intervention series starts during the Long Night of the Museums on August 27th 2016.
August 27th – September 11th 2016:
Robert Czolkoß, Christopher Putbrese, Romin Walter
September 24th – October 09th 2016:
Julia Langhammer, Hamid Yaraghchi, Tillman Ziola
October 22th – November 06th 2016:
Alum Lee, Maximilian Stühlen, Michael Wagner
November 19th – December 04th 2016:
Lena Dobner, Lion Hoffmann, Mona Pourebrahim, Annika Stoll, Franziska Stolzenau
December 17th – January 08th 2017:
Michael Broschmann, Jessica Ostrowicz, Janina Stach, Shengjie Zong
Finissage: Friday 6th January 2017, 19h
Flyer zur Kooperationsausstellung mit der Rudolf Steiner Schule Dahlem.
For the second time, students of nearby Rudolf-Steiner-School present their works at Kunsthaus Dahlem. After reflecting upon the current exhibition, students have created their own works and artistic responses, which are now being shown at the museum.
Opening: October 7th 2016, 5pm
Joachim Gutsche: »Der Hausfreund kommt mit Blumen«, 1966, Öl auf Leinwand, © Nachlass Gutsche test
The exhibition at Kunsthaus Dahlem showcases paintings from the 1950s and 1060s by the artist Joachim Gutsche. Those works have been rarely shown, particularly during the late years of the artist and after his death. Gutsche was increasingly marginalized even during his lifetime.
The selection of works in this exhibition relates both towards the cultural and political situationin West-Berlin during those decases as well as to the works of this teacher at the art academy, Hans Uhlmann, whose work is presently also featured at Kunsthaus Dahlem.